Italian Renaissance - Italy - Despotism of the Dukes of Milan...
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History: The Civilization of the Renaissance in Italy by Jacob Burckhardt

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Despotism of the Dukes of Milan ...

The despotism of the Dukes of Milan, whose government from the time of Giangaleazzo onwards was an absolute monarchy of the most thorough- going sort, shows the genuine Italian character of the fifteenth century. The last of the Visconti Filippo Maria (1412-1447), is a character of peculiar interest, and of which fortunately an admirable description has been left us. What a man of uncommon gifts and high position can be made by the passion of fear, is here shown with what may be called a mathematical completeness. All the resources of the State were devoted to the one end of securing his personal safety, though happily his cruel egotism did not degenerate into a purposeless thirst for blood. He lived in the Citadel of Milan, surrounded by magnificent gardens, arbors, and lawns. For years he never set foot in the city, making his excursions only in the country, where lay several of his splendid castles; the flotilla which, drawn by the swiftest horses, conducted him to them along canals constructed for the purpose, was so arranged as to allow of the application of the most rigorous etiquette. Whoever entered the citadel was watched by a hundred eyes; it was forbidden even to stand at the window, lest signs should be given to those without. All who were admitted among the personal followers of the Prince were subjected to a series of the strictest examinations; then, once accepted, were charged with the highest diplomatic commissions, as well as with the humblest personal services both in this Court being alike honorable. And this was the man who conducted long and difficult wars, who dealt habitually with political affairs of the first importance, and every day sent his plenipotentiaries to all parts of Italy. His safety lay in the fact that none of his servants trusted the others, that his Condottieri were watched and misled by spies, and that the ambassadors and higher officials were baffled and kept apart by artificially nourished jealousies, and in particular by the device of coupling an honest man with a knave. His inward faith, too, rested upon opposed and contradictory systems; he believed in blind necessity, and in the influence of the stars, and offering prayers at one and the same time to helpers of every sort; he was a student of the ancient authors, as well as of French tales of chivalry. And yet the same man, who would never suffer death to be mentioned in his presence, and caused his dying favorites to be removed from the castle, that no shadow might fall on the abode of happiness, deliberately hastened his own death by closing up a wound, and, refusing to be bled, died at last with dignity and grace.

His son-in-law and successor, the fortunate Condottiere Francesco Sforza (1450- 1466), was perhaps of all the Italians of the fifteenth century the man most after the heart of his age. Never was the triumph of genius and individual power more brilliantly displayed than in him; and those who would P.et recognize his merit were at least forced to wonder at him as the spoilt child of fortune. The Milanese claimed it openly as an honour to be governed by so distinguished a master; when he entered the city the thronging populace bore him on horseback into the cathedral, without giving him the chance to dismount. Let us listen t o the balance-sheet of his life, in the estimate of Pope Pius II, a judge in such matters: 'In the year 1459, when the Duke came to the congress at Mantua, he was 60 (really 58) years old; on horseback he looked like a young man; of a lofty and imposing figure, with serious features, calm and affable in conversation, princely in his whole bearing, with a combination of bodily and intellectual gifts unrivalled in our time, unconquered on the field of battle - such was the man who raised himself from a humble position to the control of an empire. His wife was beautiful and virtuous, his children were like the angels of heaven; he was seldom ill, and all his chief wishes were fulfilled. And yet he was not without misfortune. His wife, out of jealousy, killed his mistress; his old comrades and friends, Troilo and Brunoro, abandoned him and went over to King Alfonso; another, Ciarpollone, he was forced to hang for treason; he had to suffer it that his brother Alessandro set the French upon him; one of his sons formed intrigues against him, and was imprisoned; the March of Ancona, which he h ad won in war, he lost again the same way. No man enjoys so unclouded a fortune that he has not somewhere to struggle with adversity. He is happy who has but few troubles.' With this negative definition of happiness the learned Pope dismisses the reader. Had he been able to see into the future, or been willing to stop and discuss the consequences of an uncontrolled despotism, one pervading fact would not have escaped his notice the absence of all guarantee for the future. Those children, beautiful as angels, carefully and thoroughly educated as they were, fell victims, when they grew up, to the corruption of a measureless egotism. Galeazzo Maria (1466-1476), solicitous only of outward effect, too k pride in the beauty of his hands, in the high salaries he paid, in the financial credit he enjoyed, in his treasure of two million pieces of gold, in the distinguished people who surrounded him, and in the army and birds of chase which he maintained. He was fond of the sound of his own voice, and spoke well, most fluently, perhaps, when he had the chance of insulting a Venetian ambassador. He was subject to caprices, such as having a room painted with figures in a single night; and, what was worse, to fits of senseless debauchery and of revolting cruelty to his nearest friends. To a handful of enthusiasts, he seemed a tyrant too bad to live; they murdered him, and thereby delivered the State into the power of his brothers, one of whom, Lodovico il Moro, threw his nephew into prison, and took the government into his own hands. From this usurpation followed the French intervention, and the disasters which befell the whole of Italy.



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