Italian Renaissance - Italy - Rome excavations...
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History: The Civilization of the Renaissance in Italy by Jacob Burckhardt

Index | pg. 60 |Previous Page - Next Page

Rome excavations ...

Meanwhile the material knowledge of old Rome was increased by excavations. Under Alexander VI the so-called 'Grotesques,' that is, the mural decorations of the ancients, were discovered, and the Apollo of the Belvedere was found at Porto d'Anzio. Under Julius II followed the memorable discoveries of the Laocoon, of the Venus of the Vatican, of the Torso of the Cleopatra. The palaces of the nobles and the cardinals began to be filled with ancient statues and fragments. Raphael undertook for Leo X that ideal restoration of the whole ancient city which his (or Castiglione's) celebrated letter (1518 or 1519) speaks of. After a bitter complaint over the devastations which had not even then ceased, and which had been particularly frequent under Julius II, he beseeches the Pope to protect the few relics which were left to testify to the power and greatness of that divine soul of antiquity whose memory was inspiration to all who were capable of higher things. He then goes on with penetrating judgement to lay the foundations of a comparative history of art, and concludes by giving the definition of an architectural survey which has been accepted since his time; he requires the ground plan, section and elevation separately of every building that remained. How archaeology devoted itself after his day to the study of the venerated city and grew into a special science, and how the Vitruvian Academy at all events proposed to itself great him, cannot here be related. Let us rather pause at the days of Leo X, under whom the enjoyment of antiquity combined with all other pleasures to give to Roman life a unique stamp and consecration. The Vatican resounded with song and music, and their echoes were heard through the city as a call to joy and gladness, though Leo did not succeed thereby in banishing care and pain from his own life, and his deliberate calculation to prolong his days by cheerfulness was frustrated by an early death. The Rome of Leo, as described by Paolo Giovio, forms a picture too splendid to turn away from, unmistakable as are also its darker aspects--the slavery of those who were struggling to rise; the secret misery of the prelates, who, notwithstanding heavy debts, were forced to live in a style befitting their rank; the system of literary patronage, which drove men to be parasites or adventurers; and, lastly, the scandalous maladministration of the finances of the State. Yet the same Ariosto who knew and ridiculed all this so well, gives in the sixth satire a longing picture of his expected intercourse with the accomplished poets who would conduct him through the city of ruins, of the learned counsel which he would there find for his own literary efforts, and of the treasures of the Vatican library. These, he says, and not the long-abandoned hope of Medicean protection, were the baits which really attracted him, if he were again asked to go as Ferrarese ambassador to Rome.

But the ruins within and outside Rome awakened not only archaeological zeal and patriotic enthusiasm, but an elegiac of sentimental melancholy. In Petrarch and Boccaccio we find touches of this feeling. Poggio Bracciolini often visited the temple of Venus and Roma, in the belief that it was that of Castor and Pollux, where the senate used so often to meet, and would lose himself in memories of the great orators Crassus, Hortensius, Cicero. The language of Pius II, especially in describing Tivoli, has a thoroughly sentimental ring, and soon afterwards (1467) appeared the first pictures of ruins, with a commentary by Polifilo. Ruins of mighty arches and colonnades, half hid in plane-trees, laurels, cypresses and brushwood, figure in his pages. In the sacred legends it became the custom, we can hardly say how, to lay the scene of the birth of Christ in the ruins of a magnificent palace. That artificial ruins became afterwards a necessity of landscape gardening is only a practical consequence of this feeling.



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