| Italian Renaissance - Italy - 3-10 Neo-Latin Poetry... |
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Index | pg. 90 |Previous Page - Next Page 3-10 Neo-Latin Poetry ...Neo-Latin PoetryThe chief pride of the humanists is, however, their modern Latin poetry. It lies within the limits of our task to treat of it, at least in so far as it serves to characterize the humanistic movement. How favourable public opinion was to that form of poetry, and how nearly it supplanted all others, has been already shown. We may be very sure that the most gifted and highly developed nation then existing in the world did not renounce the language such as the Italian out of mere folly and without knowing what they were doing. It must have been a weighty reason which led them to do so. This cause was the devotion to antiquity. Like all ardent and genuine devotion it necessarily prompted men to imitation. At other times and among other nations we find many isolated attempts of the same kind. But only in Italy were the two chief conditions present which were needful for the continuance and development of neo-Latin poetry: a general interest in the subject among the instructed classes, and a partial re-awakening of the old Italian genius among the poets themselves--the wondrous echo of a far-off strain. The best of what is produced under these conditions is not imitation, but free production. If we decline to tolerate any borrowed forms in art, if we either set no value on antiquity at all, or attribute to it some magical and unapproachable virtue, or if we will pardon no slips in poets who were forced, for instance, to guess or to discover a multitude of syllabic quantities, then we had better let this class of literature alone. Its best works were not created in order to defy criticism, but to give pleasure to the poet and to thousands of his contemporaries. The least success of all was attained by the epic narratives drawn from the history or legends of antiquity. The essential conditions of a living epic poetry were denied, not only to the Romans who now served as models, but even to the Greeks after Homer. They could not be looked for among the Latins of the Renaissance. And yet the 'Africa' of Petrarch probably found as many and as enthusiastic readers and hearers as any epos of modern times. Purpose and origin of the poem are not without interest. The fourteenth century recognized with sound historical sense that the time of the second Punic war had been the noonday of Roman greatness; and Petrarch could not resist writing of this time. Had Silius Italicus been then discovered, Petrarch would probably have chosen another subject; but as it was, the glorification of Scipio Africanus the Elder was so much in accordance with the spirit of the fourteenth century, that another poet, Zanobi di Strada, also proposed to himself the same task, and only from respect for Petrarch withdrew the poem with which he had already made great progress. If any justification were sought for the 'Africa,' it lies in the fact that in Petrarch's time and afterwards Scipio was as much an object of public interest as if he were then alive, and that he was regarded as greater than Alexander, Pompey, and Caesar. How many modern epics treat of a subject at once so popular, so historical in its basis, and so striking to the imagination? For us, it is true, the poem is unreadable. For other themes of the same kind the reader may be referred to the histories of literature. Index | pg. 90 |Previous Page - Next Page Italy Hotels - Italy Hostels - Italy Sights ................................................................ Other popular Italy book pages: Vitello alla Pellegrina (Breast of Veal) Frittura Piccata al Marsala Polpettine Distese (Veal Olives) Coste di Vitello Imboracciate Costolette Montone alla Nizzarda Mutton Petto di Castrato Italiana Petto di Castrato alla Salsa piccante Online Italy Books Italian Renaissance Italian Recipes Italian Poetry Roman Mythology |
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