Italian Poets 2 - Italy - In the ensuing year...
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Italian Poetry: Stories From the Italian Poets: With Lives of the Writer By Leigh Hunt. In Two Volumes. Vol. II.

Index | pg. 3 |Previous Page - Next Page

In the ensuing year ...

In the ensuing year the duke his master took a wife himself. She was Eleonora, daughter of the King of Naples; and the newly-married poet was among the noblemen who were sent to escort her to Ferrara. For several years afterwards, his time was probably filled up with the composition of the _Orlando Innamorato_, and the entertainments given by a splendid court. He was appointed Governor of Reggio, probably in 1478. At the expiration of two or three years he was made Captain of the citadel of Modena; and in 1482 a war broke out, with the Venetians, in which he took part, for it interrupted the progress of his poem. In 1484 he returned to it; but ten years afterwards was again and finally interrupted by the unprincipled descent of the French on Italy under Charles the Eighth; and in the December following he died. The _Orlando Innamorato_ was thus left unfinished. Eight years before his decease the author published what he had written of it up to that time, but the first complete edition was posthumous. The poet was writing when the French came: he breaks off with an anxious and bitter notice of the interruption, though still unable to deny himself a last word on the episode which he was relating, and a hope that he should conclude it another time.

"Mentre che io canto, o Dio redentore, Vedo l'Italia tutta a fiamma e foco, Per questi Galli, che con gran valore Vengon, per disertar non so che loco: Pero vi lascio in questo vano amore Di Fiordespina ardente poco a poco Un' altra volta, se mi fia concesso, Racconterovvi il tutto per espresso."

But while I sing, mine eyes, great God! behold A flaming fire light all the Italian sky, Brought by these French, who, with their myriads bold, Come to lay waste, I know not where or why. Therefore, at present, I must leave untold How love misled poor Fiordespina's eye.[2] Another time, Fate willing, I shall tell, From first to last, how every thing befell.

Besides the _Orlando Innamorato_, Boiardo wrote a variety of prose works, a comedy in verse on the subject of Timon, lyrics of great elegance, with a vein of natural feeling running through them, and Latin poetry of a like sort, not, indeed, as classical in its style as that of Politian and the other subsequent revivers of the ancient manner, but perhaps not the less interesting on that account; for it is difficult to conceive a thorough copyist in style expressing his own thorough feelings. Mr. Panizzi, if I am not mistaken, promised the world a collection of the miscellaneous poems of Boiardo; but we have not yet had the pleasure of seeing them. In his life of the poet, however, he has given several specimens, both Latin and Italian, which are extremely agreeable. The Latin poems consist of ten eclogues and a few epigrams; but the epigrams, this critic tells us, are neither good nor on a fitting subject, being satirical sallies against Nicolo of Este, who had attempted to seize on Ferrara, and been beheaded. Boiardo was not of a nature qualified to indulge in bitterness. A man of his chivalrous disposition probably misgave himself while he was writing these epigrams. Perhaps he suffered them to escape his pen out of friendship for the reigning branch of the family. But it must be confessed, that some of the best-natured men have too often lost sight of their higher feelings during the pleasure and pride of composition.

With respect to the comedy of _Timon_, if the whole of it is written as well as the concluding address of the misanthrope (which Mr. Panizzi has extracted into his pages), it must be very pleasant. Timon conceals a treasure in a tomb, and thinks he has baffled some knaves who had a design upon it. He therefore takes leave of his audience with the following benedictions



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