Italian Poets 2 - Italy - Ariosto was tall and...
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Italian Poetry: Stories From the Italian Poets: With Lives of the Writer By Leigh Hunt. In Two Volumes. Vol. II.

Index | pg. 58 |Previous Page - Next Page

Ariosto was tall and ...

Ariosto was tall and stout, with a dark complexion, bright black eyes, black and curling hair, aquiline nose, and shoulders broad but a little stooping. His aspect was thoughtful, and his gestures deliberate. Titian, besides painting his portrait, designed that which appeared in the woodcut of the author's own third edition of his poem, which has been copied into Mr. Panizzi's. It has all the look of truth of that great artist's vital hand; but, though there is an expression of the, genial character of the mouth, notwithstanding the exuberance of beard, it does not suggest the sweetness observable in one of the medals of Ariosto, a wax impression of which is now before me; nor has the nose so much delicacy and grace.[28]

The poet's temperament inclined him to melancholy, but his intercourse was always cheerful. One biographer says he was strong and healthy--another, that he was neither. In all probability he was naturally strong, but weakened by a life full of emotion. He talks of growing old at forty four, and of leaving been bald for some time.[29] He had a cough for many years before he died. His son says he cured it by drinking good old wine. Ariosto says that "vin fumoso" did not agree with him; but that might only mean wine of a heady sort. The chances, under such circumstances, were probably against wine of any kind; and Panizzi thinks the cough was never subdued. His physicians forbade him all sorts of stimulants with his food.[30]

His temper and habits were those of a man wholly given up to love and poetry. In his youth he was volatile, and at no time without what is called some "affair of the heart." Every woman attracted him who had modesty and agreeableness; and as, at the same time, he was very jealous, one might imagine that his wife, who had a right to be equally so, would have led no easy life. But it is evident he could practise very generous self-denial; and probably the married portion of his existence, supposing Alessandra's sweet countenance not to have belied her, was happy on both sides. He was beloved by his family, which is never the case with the unamiable. Among his friends were most Of the great names of the age, including a world of ladies, and the whole graceful court of Guidobaldo da Montefeltro, duke of Urbino, for which Catiglione wrote his book of the _Gentleman (Il Cortegiano)_. Raphael addressed him a sonnet, and Titian painted his likeness. He knew Vittoria Colonna, and Veronica da Gambera, and Giulia Gonzaga (whom the Turks would have run away with), and Ippolita Sforza, the beautiful blue-stocking, who set Bandello on writing his novels, and Bembo, and Flaminio, and Berni, and Molza, and Sannazzaro, and the Medici family, and Vida, and Macchiavelli; and nobody doubts that he might have shone at the court of Leo the brightest of the bright. But he thought it "better to enjoy a little in peace, than seek after much with trouble."[31] He cared for none of the pleasures of the great, except building, and that he was content to satisfy in Cowley's fashion, with "a small house in a large garden." He was plain in his diet, disliked ceremony, and was frequently absorbed in thought. His indignation was roused by mean and brutal vices; but he took a large and liberal view of human nature in general; and, if he was somewhat free in his life, must be pardoned for the custom of the times, for his charity to others, and for the genial disposition which made him an enchanting poet. Above all, he was an affectionate son; lived like a friend with his children; and, in spite of his tendency to pleasure, supplied the place of an anxious and careful father to his brothers and sisters, who idolized him.

"Ornabat pietas et grata modestia vatem,"

wrote his brother Gabriel,



Index | pg. 58 |Previous Page - Next Page

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